2022 The Mars Volta
:stupid: мемоемкая фраза.04. dp (possible Omar Rodriguez-Lopez solo demo)
Revealed earlier today via short cryptic videos; producer Omar Rodriguez-Lopez has teamed up with long time collaborator Cedric Bixler-Zavala (both men of Mars Volta and At The Drive In fame) on a new project with former Mars Volta drummer Dave Elitch and the legendary Flea on bass. The new band, ANTEMASQUE, has been hunkered down in the studio and Volcom is proud to be able to present a longer look behind-the-scenes of the band recording their debut song, "4AM".
:agree: всему хорошему есть пределШли бы кучерявые в продюссеры, мутили бы свои лейблы/студии и расслаблялись.
о, а мне наоборот показалось "давайте ебнем обычных песен по три минуты", и получилось годно :up:писалось все не искренее, просто потому что от них ждут
Keyboardist Isaiah "Ikey" Owens, who was a member of Jack White's band, the Mars Volta, and many other projects, has died. The news was announced by Third Man Records, who posted a note on their website:
It is with great sadness that we tell the world of the passing of the incredible musician Isaiah "Ikey" Owens. He will be missed and loved forever by his family, friends, bandmates and fans.
Ikey Owens was an astounding keyboard player in Jack White's backing band. He also played with Mars Volta, Free Moral Agents, and many other projects.
Out of respect for Ikey, the remaining shows of the Jack White Tour in Mexico have been cancelled.
We will all miss you Ikey. You were and are an incredible artist.
Owens was currently on tour with White's band in Mexico.
Owens began his career playing with bands in Long Beach, California, including the Long Beach Dub Allstars and Crystal Antlers, along with his own band, Free Moral Agents. He played with the Mars Volta from 2001 to 2009. He joined White's band in 2012, appearing on both of White's solo albums.
Owens also worked with El-P, Mastodon, Saul Williams, and more.
Сколько ему было?в номере присутствовал алкоголь и вещества
The complexity of their appeal was paralleled by their diverse fan base. There were the over-dressed hipsters, struggling to maintain their cool in the crushing, overzealous crowd, the washed-out punks whose inappropriate mosh pit attempts were thwarted by Emo's security, the 14-year-old ATDI fans trying to find a solid chorus to sing along to, the long-haired Santana fans who erupted with drunken cheers every time Zavala sang in Spanish, and the freaks on LSD who tried their best to go with the vibe, but were overwhelmed by the combined intensity of the music, crowd, heat and lights. After only a few songs, the crowd that had jammed near the front started to clear out for air. Soaked in sweat, they emerged looking as though they had witnessed a car wreck or the resurrection of Christ himself. But if the crowd started to catch on to the rhythm, Rodriguez would change it up, moving too fast for anyone in the crowd to really participate without looking awkward.
According to Rodriguez, they follow the basic themes of the songs on the album, but no two performances are the same. "It's structured improvisation," he said. The songs "will continue to evolve, because our goal is to be happy. Our goal is to feel empty so that we can feel full again - to give out our suffering, our joy, to empty it all out. ... Once you have done that, you are able to experience more suffering, more joy, and you are able to have more moments of feeling that you know what everything is about, and moments where you feel you don't know anything."
вообще просто прекраснейшие, такое впечатление, что все это время (если верть ластфму, то перед этим последний раз слушал марс вольту в 2008 :stupidходил вокруг да около, чтоб потом под носом найти охуенчик. Пока дальше Tremulant EP и De-Loused in the Comatorium не дошел, наслаждаюсь. Джон Теодор просто :scream:
Oceansize -> Radiohead -> Dredg -> Mastodon -> The Mars Volta - > ...
Знаете чего больше всего боюсь? Что следующими в списке облажавшихся будут Tool